Janet Buck teaches writing and literature at the college level and has published over a hundred poems in a variety of journals, magazines and anthologies across the United States. Two of her poems, The Nursing Home and The Arietta, have won second place awards in the National Library of Poetry's contests in 1996 and 1997. Janet's homepage, entitled A Poet's Pen, has received dozens of awards, including the distinguished Predators and Editors: Author's Site of Excellence.
The empty page, for me, is a rough and ready canvas that must be touched. It barks, it bites, and sometimes it swallows all hours of a day. Inspiration is a mystery, its folds and curves a journey into places often hard to reach. To write is to stumble first upon the magic of sensation, emotion, an image far too dazzling to ignore. The rest is sitting on the riverbank of how we feel, gathering courage, a toe or two at first, then diving in.
Poetry, it seems, is born of dread and urgent air, has less to do with artistry and more to do with foam of need.
From Desideratum, by Janet I. Buck, Oatmeal and Poetry, April 1997.
TattoosRound n' round n' roundthe carousel of what is missing. Half a leg and half a life when eyes recite defeat. Hard-bound grief beside the bed and paperbacks of easy motion others skim and throw away. Doubt's caboose that pulls the train of living off the tracks and paints the canvas of a day a deeper shade of gray. There came a time to take the lime of bitterness and squeeze and squeeze and squeeze. To let the chimney-sweep of loving eyes sift the sands of what she lost for precious gold of what she found. There came a time to shred and burn the map of normalcy and thread the needle trust. To push the pirate fear aside, go naked in the rougher seas of difference. To make a choice between denial's three-piece-suit and beating drums of who she has become. There came a time to roll the sleeves of resignation, play the castanets of faith, and turn the bruise of incomplete a brighter shade of hope. |
The ChairIt wasn't fair was rolling rightbefore their curtain eyes. Its wheels driven by the dark of perfect thighs she'd never lay her hands upon. Traffic took a sip of gratitude and then it belched in moving on. Took the road of passing by the ditch of dreams that lay beside the road ahead. Gravel spitting in the air and blushing cheeks of platitudes that needed space to land. The simple ramp the others walked a mountain in her heart. Trying spokes upon the wheel of making do and sitting out the dawn. Lessons in the easy air that many others miss. Every moment was a hill that others sledded down. She wore the hat. She had the ball. She knew the bases well. Knew she had to jump the curb of tragedy and roll the chair of living to its bitter end. |
Ceiling CracksTrepidation's rocking chair.Gurneys rolling straight from Hell. Swatting pain like cobwebs crawling up the walls or doormats full of summer dust that need a shaking out. Wheels spinning in the mud. Sprays of tears that fill the gaps of never knowing what to say. They stop again beside her door. Much the same as carriages for all the traitors to her dreams. Ceiling cracks of meager smiles like turning out a jello mold. If it isn't cold enough, it cannot stand alone. Someone mentioned wheelchairs. She bucked the word and broke the fence. Their pistols full of platitudes. Aiming straight in helpless skies. They needed scars to understand. Surgery and traffic jams and other dents in fenders of her womanhood. Memories of knives before like sewers full and backing up in gutters of her eyes. |
The UndertowIn the mouths of whales.I disappear like party hats when midnight waltzes on the stage. Machete dreams that come and go as pendulums that rock the memories to sleep. Spaghetti straps of who I am that slip and slide. Wheels on this bed of ice. The bleachers full of syllables to keep the truth from coming up. Tears I hide from Father's sight. Assuming I can reach the shore. Then the static cling of dread. Like water-skis without a rope. If not for you, I might have drowned among the tears. Grafts of love like pints of blood. You wear my pain in circles dark. They're hanging from your eyes. Soliloquies of agony are meant for one alone. Much the same as kidney stones. We pass them through our hearts. Riding tandem through the storm is more than I could ask. I guess I understand the phrase: "Togetherness is art." |
ScarecrowsAsk me how it feels to be a centerpiece.Like whales washed upon a shore. The gossamer of missing bones that tickles in the evening shade. The sharper edge you never see. I shut the door when pain arrives. The litter box of soiled dreams that fate is always stinking up. Knives and rounds of surgeries like feces in a bed of snow. Ask me how it feels to be a cross between a rose and thorns. To walk the bridge of normalcy and want to turn around. You never meant to spread the storm. Still I sit like passengers aboard a plane. Pepper shaking from my eyes. I'm riding upside down. Ask me how it feels to be a scarecrow in the field of dreams. Play hide 'n seek 'n hide again with who I am like opals running from the light. My nauseous stump a signature. A barge among the ferryboats. Pity's headlights always bright, when someone sees the empty space below the thighs of night. |
Sharps and FlatsI'm not a virgin on the bed of pain.There are times when courage fever climbs while I can barely move. Landing on the sharps of truth and flats of stoic garble. Fade to black. Operations in the wings. Knives ahead and other violations of the dawn. Taking umbrage at the thought of giving in. Papercuts from wheelchairs and all the scraps of standing tall, just tall enough to see the birth of motion coming back like puppies smacking eager tails against the bedroom door. Petit Fours of feeble smiles that hopeless hands push back and forth to occupy the night. Then the dry that lives below the shallow talk. Another scar like postage stamps, truly meant to set me free. "It isn't fair," a wasted breath and absolutely ludicrous. The syllables like prostitutes that have a right to walk the streets. I hide them just the same. |