Seeker Magazine

Lyn Lifshin

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Lyn Lifshin has written more than 100 books and edited 4 anthologies of women writers. Her poems have appeared in most poetry and literary magazines in the U.S.A., and her work has been included in virtually every major anthology of recent writing by women. She has also taught poetry and prose writing for many years at universities, colleges and high schools, and has been Poet in Residence at the University of Rochester, Antioch, and Colorado Mountain College. Winner of numerous awards including the Jack Kerouac Award for her book Kiss The Skin Off, Lyn is the subject of the documentary film "Lyn Lifshin: Not Made of Glass." For her absolute dedication to the small presses which first published her, and for managing to survive on her own apart from any major publishing house or academic institution, Lifshin has earned the distinction "Queen of the Small Presses." She is currently working on a collection of poems about the famous, short lived beautiful race horse Ruffian, new chapbooks including GIRLS AND WOMEN and MAD GIRLS and a new collection called PERSEPHONE to be published by RED HEN PRESS.


Champlain, Branbury, The Lakes At Night | Lake Champlain
Sitting In The Brown Chair With Lets Pretend On The Radio
Going To The Catholic School | Some Winters Champlain Froze
First Day Of School
Lying Out In The Fields Where There'd Be Wild Strawberries
Some Afternoons When Nobody Was Fighting
Nights It Was Too Hot To Stay In The Apartment



Champlain, Branbury, The Lakes At Night

always women in the
dark on porches talking
as if in blackness their
secrets would be safe.
Cigarettes glowed like
Indian paintbrush.
Water slapped the
deck. Night flowers
full of things with wings,
something you almost
feel like the fingers
of a boy moving, as if
by accident, under
sheer nylon and felt
in the dark movie house
as the chase gets louder,
there and not there,
something miscarried
that maybe never was.
The mothers whispered
about a knife, blood.
Then, they were laughing
the way you sail out of
a dark movie theater
into wild light as if no
thing that happened
happened

     
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Lake Champlain

We could hear Louis Armstrong
if the wind blew right.
Across the lake, we
listened to the baby

sitter's stories
of what they did to children
in Germany in the tunnels,
my mother's cigarette, a

firefly on the porch across
the dark jade grass, a
night light. I imagined
hair straight as the

girl at the rink with
one green eye, one blue
one, her gaze hypnotic
as the stories of what

people might do. I
didn't know what
might uncoil in the night.
Or that, though I felt

I was storing up sun,
catching light like
minnows, in the fall
ahead there wouldn't
be one night I didn't

wake up screaming
in dreams of fire


     
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Sitting In The Brown Chair With
Lets Pretend On The Radio

I don't think how the
m and m's that soothe
only made my fat legs
worse. I'm not thinking
how my mother will
die, of fires that could
gulp a mother up. leave
me like Bambi. I'm not
going over the baby sitter's
stories of what they did to
young girls in tunnels, of
the ovens and gas or have
nightmares I'll wake up
screaming for one whole
year wanting someone to
lie near me, hold me as if
from then on no one can get
close enough. I don't hear
my mother and father yelling,
my mother howling that if
he loved us he'd want to buy
a house, not stay in the apart-
ment he doesn't even pay
her father rent for but get
a place we wouldn't be
ashamed to bring friends.
What I can drift and dream
in is more real. I don't want
to leave the world of golden
apples and silver geese. To
make sure, I close my eyes,
make a wish on the first hay
load of summer then wait
until it disappears

     
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Going To The Catholic School

once a year, bundled in wool
pea coats and snow pants,
mufflers dotted with ice crystals
tightly around our faces so the
incense we were sure would be
too thick to breathe in wouldn't
make us sneeze. Under our
snow pants, soft corduroy jeans
and our thickest gloves, covered
mittens: we had heard about
rulers smashing bones and skin,
that patent leather shoes were
forbidden. Something about the
stained glass light on the pale
nuns with enormous crosses
and rosaries kept us huddled and
close, walking with only side-
long glances at the Jesus with
bleeding chest, as scary as The
Thing where Jessica, whose
father was a minister, shrieked
when the blob filled the screen.
We didn't know why the Catholic
girls couldn't come to our school
but would come later, in high
school. Or why everything
had a smell we never smelled
anywhere else, wondered how
we'd ever catch up in Latin when
we had to. The dark haired girls
with their dangling faces of
Mary they kissed before a ball
game and tests seemed as exotic
as what was hidden under their
white confirmation dresses,
flesh later we heard would writhe
and twist and do the wild thing
since it would be ok once
they confessed

     
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Some Winters Champlain Froze

always with places
where the ice was
too soft to hold the
cars that flaunted
their metal. Otter
Falls grew thick
crusty beards of ice.
St Mary's against
the salmon sky.
Walking over the
bridge was freezing.
I wanted stories of
my father in a cold
hut in Russia without
radios like ours, only
wind and the chickens.
I wanted a story of
sleeping in straw
with horses' breath
for a fire, of silver
moon, black pines

     
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First Day Of School

my mother in the doorway
getting smaller as she would,
a kite burning my palm
as the wind jolts it from
me, a thud in my belly
that even at six wasn't
flat as I'd like it to be.
Mrs. Butterfield, a ship
that could take me where
my mother wouldn't go
like a flotilla of lovers,
steaming closer as if she
could block what I was
leaving behind, my mother
in a worn coat already
counting the hours

     
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Lying Out In The Fields Where
There'd Be Wild Strawberries

only the leaves
that March afternoon,
the sun a glow we
hardly saw the months
of snow. We lay on
our backs. No, I told
my mother later,
the ground was dry.
Birds all around,
dandelions we opened
already the palest
color of sun. My green
parka on the lush
green hill, our eyes
closed, smelling
the smell of things
growing: hair, summer
and tho by mid afternoon,
we'd shiver in the shade,
our skin stayed pink,
sun kissed this early

     
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Some Afternoons When Nobody Was Fighting

my mother took out
walnuts and chocolate
chips. My sister and
I plunged our fingers
in flour and butter
smoother than clay.
Pale dough oozing
between our fingers
while the house filled
with blond bars rising.
Mother in her pink dress
with black ballerinas
circling its bottom
turned on the Victrola,
tucked her dress up into
pink nylon bloomer pants,
kicked her legs up in the
air and my sister and I
pranced thru the living
room, a bracelet around
her. She was our Pied
Piper and we were
the children of Hamlin,
circling her as close as the
dancers on her hem


     
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Nights It Was Too Hot
To Stay In The Apartment

We drove to the lake, then stopped
at my grandmother's. The grownups
sat in the screened porch on wicker
or the glider whispering above the
clink of ice in wet glass. Spirea and
yellow roses circled the earth under
stars. A silver apple moon. Bored
and still sweaty, my sister and I
wanted to sleep out on the lawn
and dragged out our uncle's army
blankets and chairs for a tent. We
wanted the stars on our skin, the
small green apples to hang over
the blanket to protect us from bats.
From the straw mats, peonies glowed
like planets and if there was a breeze,
it was roses and sweat. I wanted
our white cats under the olive green
with us, their tongues snapping up
moths and whatever buzzed thru the
clover. For an hour the porch
seemed miles away until itchy with
bug bites and feeling our shirts fill
with night air, my hair grow curlier,
our mother came to fold up the blankets
and chairs and I wished I was old
enough to stay alone until dawn or
small enough to be scooped up, asleep
in arms that would carry me up the
still hot apartment stairs and into
sheets I wouldn't know were still
warm until morning

     
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For more of Lin's poetry, visit Lyn Lifshin's Webpage
(Copyright 2004 - All Rights Reserved by Lyn Lifshin - No reproduction without express permission from the author

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Letter to the Author: Lyn Lifshin