Seeker Magazine

Charlotte Elizabeth Staples

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Now there's a mouthful. Which is why she prefers her childhood nickname of Cherie. Her first experience with writing poetry was a 12th-grade creative writing class, and that was her only experience until some 23 years later. Out of the blue, she decided to write something for the January 1, 1988 bulletin cover for her church's Sunday service. Within six months, fifteen more poems has flowed out, inspired by childhood rememberings, an aggravating church meeting (or person), stars, birds, and everything else outside the door. Since then, the muse has been more sporadic.

In putting these together for the Poet Portrait, she realized that it's been ten years since she began creating again. Her "captive audience" of church-goers frequently encouraged her to publish, but they are still waiting for the book. The trouble is, some of those people may die first.

She recently volunteered to become the editor of Seeker, after nearly a year of providing a column on books. There's a photo and bio information on the Staff page, and this month's "Skyearth Letters" column happens to have a quick run-through of post-college activities, in case you're interested.




NOVEMBER'S HOPE


when November sings its grey
somber skies and light is gone by five
creeps into thoughts
the lush green of may
and long warm evens
to ward through the cold day

when November pales and frosts
to silver
bitter-ended leaves once green
creeps into dreams
paths that mountain-tossed
are laced with spring beauties
and greenest moss

when November ices in the edges
and calms
the wild field with a skin of snow
creeps ever a hope
that deep within the hedges
of darkest night will quicken
light and warmth to grow


MAGIC'S DANCE


Tonight I wait for the animals to dance
to come slowly up the tree tunnel to the clearing
to the fresh whiteness glistering in the moonlight

tree shadows web and cloud the snow
dark echoes of the clouds swiftly skeining the sky
yet here there's a mere drift of air
the trees' still branches clasped by the new softness

I would dance tonight in the newness of the clearing
singing softly to the snow, the moon
to the rich darkness of the firs
and the fretwork of the beeches
to the animals unseen
in the magic of this moon-bright night


DREAMING SPRING


there are times when dreaming seems the only answer

when spring never comes
and the green grass grows achingly distant
the clutch of cold every morning
lingers through the day
and the northwest wind still comes from the pole

dreaming tiny mint green leaves feathering the branches
pale spring beauties topping last year's dried leaves
thrush song haunting the trees

dreaming green grass rushing to the sky
Deneb, Vega and Altair high above in the evening
warm, warm misty rains

dreaming lilacs scenting the warm breeze
the first white of shad against the darkening trees
waves of pale red reaching up the mountains

dreaming the rich, raw furrows hungry for seed
cows on fresh grass and the first mowing
heifers testing the pasture's freedom

dreaming spring
and it comes


SIMPLE TIMES


simple times that seem like dreams
the hour between sundown and dark
when the world gathered for night
the air rich in hue
slowly slowly fading from sight

the cow path through the woods
passed by a yellow lady slipper
and trailing arbutus
once seen and never forgotten
but never found again

columbines that red and yellow
went clump by clump down to the brook
and brook that pooled and riffled
down the ravine
from one fence to the other

hard working times
when heat and sweat
and hay and juniper
and raking and stacking
and contrary cows
and rock picking was I

dream times
when the beautiful man
was in my head
and I the princess met love
come walking with the cows

where was it lost?


THE HUNGER


Why do women weep inside for the child
		they would have been
when precious times are rotted from within
images that burden spirits so closely bound
that knottiness ties anger to the sinews

Why do women embrace the hunger
and thirst for a source that would make them
whole
seeking someone else's eyes to tell her
she is
		wonderful, beautiful
		gracious, 	and eminently lovable

Why do women embrace passivity
waiting for affirmation
waiting for love

I am who I am
don't ask me how I am if you don't want to hear
don't tell me to be quiet and wait a minute
I've waited too many minutes
I've waited a lifetime
no more

I am who I am
and I am strong
I can feed my own heart's desires
I can be in my soul and of my soul
and I am beautiful

past hope does not mean hopeless
past hope means I will and I can
not hope I can
we have surpassed hope
and we will do

we will feed ourselves
all the glorious things in the universe
for surely we deserve them
in us glory will flourish
and from us glory will abound

CHICKADEES


black white and gray
diminutive and vibrant
you come about the hemlocks
seeking sleeping insects
and tiny seeds

your phoebe whistles in january
call to spring
even in the most frigid day
your presence steadfast reminders
that winter too will pass

bright chickadees
hope is not a thought to you
prayer has no substance in your lives
the next seed
the next drop of water
the next night spent fluffed against the cold
these too somehow you know will pass

from you, though, I take hope
I can make it through the short cold days
waiting for the moment
when outside the window
singing ``phoebe''
will be chickadees


GRACE


the strange delectable delights
	each of us reach towards,
	seeking out that brightest glow,
that cleanest kernel that gleams of grace

we stop, dazzled -- sight-spinning
	in this commonplace, garden-variety world
		confused
	given a kernel, who can be ready
for the whole blooming plant

all this muttering of grace
	``say grace''  ah-ah-ah-men
		``say, Grace, are you dancing tonight?''
			say: ``God give you grace and peace''
		but God seems to pick and choose the
	graceful and the peaceful

in the strange horrible ways of inhumanity
	each of us turns away
		shuttering that brightest glow
			tarnishing the kernel
		spotted grace
	spattered grace
the harlequin who tumbles forth
	shreds chill veils that shield us
		creates such laughter
	that we must hold each other up
wipe each other's tears
	in sight-spinning, grace-gleaming
			love

Copyright 1998 - Cherie Staples


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