Seeker Magazine - November 2004

Linda Benninghoff

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On Why I Write Poetry

I loved reading, ever since I was a child, but someone had to suggest that I become a poet. I originally wanted to be a marine biologist. My parents took me to visit a marine biology research institute on one of the San Juan islands in Puget Sound and I was fascinated by the sea-life I saw there. Even now I write poetry about horseshoe crabs and jellyfish.

In 9th grade my English teacher suggested I become a writer. She said I could successfully create a mood. She gave me Theodore Roethke to read. (Now he is my favorite poet). I began writing poetry when I was 16 but at that time I was just playing with the sounds of words. It took another teacher to help me learn to express my feelings through poetry, and try to transform the often sad material of life into something meaningful.

I have written some poems about my childhood. I have some father poems. They are included in my chapbook "The Street Where I Was A Child." My best friend died about two years ago and I wrote many elegies for her---enough to fill a book. As the grief recedes, the poems deal less with death and more with pleasant aspects of our life together.

I like to write about animals and am active in the animal rights movement. I am a member of The Fund For Animals, write letters for The Humane Society and other groups.

I continue reading. I recently translated The Seafarer (an Old English poem) from the Old English.




Visit | Snow Falling | The Deer
Five Leaves| Whose Cries Are Not Music Spiders |



Visit

I took the train back to Baltimore
in the middle of the night.
The cobblestones my feet beat against
didn't recognize me.
I was older and slower.
I walked over memories
bare and blank,
the light almost gone out of them,
like the light that lingers
in the eyes of dead fish
on counters in the stores.

I could not stay long.
The building whose roof
we climbed on was torn down,
and the yellow stoplight across the street
squeaked in the wind with a voice of its own.
I could not breathe
the changed air.

I called out to you.
You were years away
in a boat
rowing through twists and turns,
feeling out
the darkness at the corners of the world.

     
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Snow Falling

Once I walked out
thinking it would be hard
to find a day like this:
outside of the house
snow falling,
the lines in the rhododendron leaves gone white.
Five birds, chilled, silent,
stretch their necks
toward food under the covered lawn.
And I am like them
seeking in this place
something hard to come by—
a world swollen with snow,
the spaces between things lessened,
and change coming,
overnight, in quiet,
change once so hard to believe in.


     
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The Deer

Yesterday the deer came
to the window,
her head lifted, fearless
and beautiful even to the corners
of her eyes.
All afternoon she balanced easily,
waited through the twilight
still, proud.
I thought of children
who walk for years
through streets they do not know,
their heads upright,
seeking.
And although I walk heavily to the window,
and see little in the world outside,
I know this will not always be so,
as it is not so
for this deer,
as she moves,
fragile, unafraid
of what she loves,
at one with the light, grass and sky.

     
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Five Leaves


Soon I will need all the silence
of this morning to shield me:
snow falling through emptiness,
the last five leaves on a tree, abrupt in the sky,
like five flat hands, gathering whiteness.
I am growing very patient inside,
and I am going far
over some shaking emptiness,
till I can come back,
needing this silent morning.

     
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Spiders

When I was a child,
my father would catch spiders
and wrap them up in his
pocket handkerchief,
then throw them out into the yard
where dead leaves stood in piles
and were not collected
till the end of November.

When I was 20,
I wanted to join the University's intramural softball team.
He played with me in the backyard,
smiling, as if some happiness
always hung around him.
In the evenings,
he told me stories of the Indiana town
where he grew up,
of bear-fur left on trees,
he had found in the mornings,
walking out
in the woods, alone.

Yesterday night,
he sat in his favorite chair,
his eyes quiet, his motions
slowed down. He was reading
a newspaper and staring into some darkness
in the corner
of the small room.

The spiders he let go
when I was a child,
disappeared into dark,
and the tall, heavy trees
of the Indiana town,
became an indistinguishable color,
at nightfall.
Mothers and fathers
long dead now
who made preserves in summer
lifted up their faces into the sky at evening.
and talked of what they would do the following day.

As I sat near him he slept, woke,
returned to reading.
I left after eating,
past the unkempt lawn,
the leaves still not gathered in January.

     
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Whose Cries Are Not Music


I wait all summer
by the dark, torn pond
for the geese
whose cries are not music
but catch in my ears:
the cry of wild things
who put into that sound
wing-beat, empty marshes,
clouds and their quests
for home.

They have traveled miles,
are far from earth
when I hear them,
but I think of a child
who has no words
and will cry without stopping.
as if everything
must begin in pain.

I can spend my whole life
healing it,
but find in the end
that love itself contains pain
though I do not give up feeling it,
as today I do not give up
hearing these geese
whose cries are constant,
and I pause
as their shrillness softens
and the light fades
and the night comes with silence.


     
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(Copyright 2004 - All Rights Reserved by Linda Benninghoff - No reproduction without express permission from the author.)

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Letter to the Author: Linda Benninghoff