Seeker Magazine

Follow That Dream!

by: Raelinda Woad

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You know, I don't think people realize this, but we all work in our dreams. Take me. My day job is, I'm a storyteller. But, while I sleep I drive a taxi. Just ferrying people from one dream scene to another. It's a very interesting job. I've met some of the strangest people and I've gotten into some of the most fascinating conversations. I mean, the things people will tell you while they're dreaming...

Well, one deep midnight I was driving around, looking for a fare. And I got to wondering about how I'd gotten this job in the first place. And how peculiar it was that I could remember being awake while I was in my taxi, but I could never remember driving a taxi while I was awake. It was sort of like being able to see out from underwater, but not being able to see what was in the water...when you weren't in it.

Well I was so busy thinking about this, that I didn't even notice when someone jumped into my taxicab. Until I heard a woman's voice from the back seat cry out, "Follow that dream!"

"Yes, Ma'am," I said, and stepped on it. I was acting very professional. But all the while I was thinking, "this woman sure looks familiar". Of course looks in dreams can be so misleading. Most people look like a big ball of white light. At least until their dreams start. Then they become that mad flickering mixture...of self perception...and self deception. But there was something about this woman.

Well, another thing about being asleep, is that most people can feel when you're thinking about them. And this woman was no exception. She rapped smartly on the glass divider and said, "Stop thinking about me, and drive faster. It's about to start! My dreams are confusing enough without me walking in in the middle." She seemed so uptight that I thought she was going to...wake up. Oh, I just hate when that happens in my taxi. I lose the fare.

But suddenly, she pointed out the window and said, "there it is...my dream. Now, while you're outside them, most dreams look like...an even bigger ball of white light. But the funny thing here is that everyone can recognize their own dreams. So I just aimed my taxi in the direction that she was pointing and said, "Brace yourself, ma'am. We're going in." And then I hit the brakes. Because...when you are entering a dream, motion becomes transformation.

So, at about 15 Rapid Eye Miles per second, my taxicab transformed into a table and two chairs. And then my dashboard became a dessert menu.

For an apprehensive moment, I could not locate my fare box. But then I saw that it had transformed into the dinner check. And I was pleased to note that every few minutes another 75 cents appeared on the tab. "Good," I thought. "The meter's still running."
I turned to the woman. "You can relax, ma'am," I said. "We're in a dream about a restaurant. It's just your basic, low grade food anxiety dream. All you gotta do is say, 'the fashion industry promotes anorexia' three times fast, and then order a brownie sundae."

But the woman kept squinting nervously at something directly behind me. Perhaps the waiter, ready to take our dessert order. So I turned around to look and that's when I saw the strangest sight. Half of the people in the restaurant had left their seats and were lined up in front of a stage, nervously clutching guitars.
"I knew it!" moaned the woman. "Another Folk Music open mic dream! Oh, when will my torment end?!"

"Why, of course," I thought to myself. I should have realized that this restaurant was really a coffeehouse. Every seat in the house was filled...with a guitar case and a mailing list. This woman was obviously a folk musician having an anxiety dream about getting up on stage in front of a group of strangers. Actually, It's not an easy thing to do. In fact it's amazing how lonely you can feel up there. Especially when you're just starting out.

I felt this sudden need to reassure her.
"Relax," I said. "How bad could you be?"
Well, the MC began calling names. And, one by one, the nervous performers stepped up onto the stage, pulled out their...hearts...and threw them...out to the audience.

Sometimes the audience caught them.

But sometimes the audience did not. And then the hearts would hit the floor with a rather unpleasant squishy sound. After a few acts like that, an old guy would come out with a scraper and a push broom. Although he couldn't do much for the more ambitious hearts, that were kind of stuck on the ceiling.
The woman began looking very uptight.
"He's going to call my name next," she wailed. "What should I do?"
"Start dreaming that you can play like Richard Thompson?", I suggested.
"But I don't even play guitar," she said. "I'm a storyteller."
"You are?", I said. "Well, here's an amazing coincidence..."
But just then the MC pointed to our table. And the spotlight that hit the woman's face was so bright, that I could almost feel some of it spilling onto me.

"Folks," said the MC, in a slightly snide voice, "We're gonna have something different now. Not better, different. Won't you please welcome a story.." But before he could complete the word, the word that had the power to invoked dreams in the waking world, a waiter hopped onto the stage, and whispered something in his ear. The MC began to grin. And I began to feel uptight.

"Folks," he said, "there's been a slight change in our open mic line up tonight. One of our acts has to leave early, so we're gonna put them on before...the storyteller. Won't you please welcome...back together for the first time in almost 30 years...The Beatles!"

Pop. We were back in my taxicab, speeding away from a big ball of white light.
"Hey," I said, "What did you do that for? It wasn't over."
"Are you kidding?" said the woman. "Listen, when you have to follow the Beatles, it's over! Trust me, I have this dream all the time. First they bring out the Beatles. And then...they bring out the Monkeys. It just keeps getting worse and worse."
"Hmmmm," I thought. "This is interesting."
"Tell me something," I said. "How does this dream...usually end?"
"Uh, I don't know," said the woman. "I've never actually stuck around for the whole thing."
"Hmmm, hmmm," I thought. "No wonder she keeps having this dream.

Unfinished dreams become worse than nightmares. They become night weeds, popping up again and again to haunt you.
I didn't really know this woman, but suddenly I thought, "I'd really like to help her. She seems so trapped."
"Listen," I said, "you have got to go back and finish that dream."
She shook her head 3 times. "No, no, no," she said, looking scared, "I can't. I don't have it in me."

Well, I could tell from her negative attitude that she was about to...wake up. I just hate when that happens. I mean, I don't want to sound biased or anything,... but I just can't stand people... who are awake. They're so unreceptive.

Only when people are dreaming, are they like newborn infants. Experiencing the world for the first time. And excepting everything they see. No matter how weird, how wild...or how true.
"Listen," I said, "if you don't think you have it in you, I know I have it in me. I'll go back with you. I'll even get on stage with you so you don't have to be up there alone."
The woman stopped looking scared. "You Will?" she said.
"Yes, Ma'am," I said. "Hey, driving around in dreams is what I do. So, when you're ready, just give me...the word."
"The word?" she said. "Oooh...the Word." And, taking a deep breath, she looked behind us, straight at the big ball of white light, and said, "storyteller."
And, in the way of dreams, our taxicab shivered and transformed into a stage.
"You're ooooon," the MC said."
"You can do it," I said.

And so, the woman reached inside herself, pulled out her heart, and threw her heart into the audience.
"You know," she said, "I don't think they're going to catch it."
"Why not?" I said.
"Because," she said, "They don't have any hands."
"...Oh." I looked out at the audience. Sure enough, everyone in the room had stumps growing at the end of their wrists.
"Hmmmm," I said, as her heart raced towards the floor, "not a very supportive Audience.
"Perhaps...you should stop depending on what other people think."
"Hmmmmm," said the woman. And just before her heart hit the floor, she turned it into a boomerang. It did a beautiful 180 and went zinging back to her.
Every wrist in the room, sprouted a hand that grabbed...and missed. And the only hand that she would let catch her heart, was her own.

Pop. I was alone in my taxi. Well that figured. Dreams always end just when they're getting good. And then, it's back to the waking world.

Well, I don't want to sound biased or anything but, if you ask me, reality...is for wimps. Y'know, I don't think people realize how hard we all work in our dreams.
Like, take me. Every night I climb into my taxicab, and all night long I drive people through what they really need to see.
Although...it's funny...'cause now that I think about it, the only people who get into my taxicab...are storytellers.


A little about Raelinda Woad:

Raelinda Woad's storytelling career began one night when she was walking by a Coffeehouse and saw a huge sign proclaiming: "FREE BROWNIES!". She rushed inside, neglecting to read the rest of the sign which said: "YES, FREE BROWNIES FOR ALL OPEN MIC FOLK SINGERS!", and added her name to a list of hopeful folk musicians. The next thing Raelinda knew she was standing on a stage with a brownie in one hand, and a microphone in the other hand facing a roomful of people who were expecting her to sing a folk song. It was then that Raelinda remembered that she did not know how to sing or play guitar.

So she told a story. And the audience liked it so much that they even gave her another brownie.

And, as fate would have it, the owner of one of New England's most prestigious folk clubs was in the audience that night and he ran up to her and cried, "you would be perfect to open the show for Holly Near!"
"Who is Holly Near, and will I get another brownie?" was Raelinda's response.
"She's a famous folk singer, and you get paid fifty dollars," he answered.
"Fifty bucks!" cried Raelinda. "You mean folk musicians actually get paid? Well then who needs law school; I'll make my millions on the folk music circuit!"

And ever since then Raelinda has been performing her "true stories...that haven't quite happened yet" in about a zillion Coffeehouses across New England, she has shared the stage with all sorts of exciting famous people, she has been booked for The Falcon Ridge Festival and The Philadelphia Folk Festival, and she has just finished recording her latest project, "POWER SLEEPWALKING" .

And even though she never actually made a million dollars she did accumulate a treasures worth of friends and life experiences, and she considers herself a very wealthy woman today.


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Letter to the Author:
Raelinda Woad<storysea@aol.com>
Letter to the Editor:
Cherie Staples <SkyEarth1@aol.com>